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IASPMPopular Music Today: 
Objects, Practices, Approaches
Preliminary Program 
(Bulgarian version)
Preliminary Program
(English Version)
Seminar Objectives
(in Bulgarian Language)
Abstracts
(English Version)
Participants' web sites and 
e-mails
Hotel -
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Preliminary program

Friday, 23 June 2000

08.45 - 09.00
   Registration
 
09.00 - 09.30
Opening speech:
Elena Toncheva (Director of the Institute of Art Studies, (BAS, Bulgaria):
09.30 - 10.30
Philip Tagg (Institute of Popular Music, Liverpool, UK): 
High and Low, Cool and Uncool: aesthetic
and historical falsifications about music in Europe

chair: Gencho Gaytandjiev
 
10.30 - 11.00
  Coffee break
To Top
11.00 – 12.45
Lubomir Kavaldjiev (BAS, Bulgaria):
The Third Wave and the Popular Music
(4 models for the actual development of the musical culture)

Franz Krieger (Institute for Jazz Research –
University of Music and Dramatic Arts in Graz, Austria):
One more Grammy for Whitney Houston:
annotations to musical roots and musical identity in the era of globalization

Claire Levy (BAS, Bulgaria):
Playing on Repetitive:
creativity in popular music/culture

Chair: Gencho Gaytandjiev
To Top
14.00 - 15.45
Rosemary Statelova (BAS, Bulgaria): 
Romany Participation in the Production of Local Pop-music in Bulgaria Today:
the ethnomusicological approach

Feza Tansug (College of Arts & Sciences, ARTS - Department Koc Universitesi, Istanbul Turkey):
Cross-Border Flow of Popular Culture:
Redefining Cultural Boundaries and Traditions in Bulgaria and Turkey

Yetkin Ozer (Dokuz Eylul University, Turkey):
Modern Sounds and Traditional Images:
a video analysis and new trends in Turkish folk music

Chair: Claire Levy
 
15.45 -16.00
  Coffee break
To Top
16.00 - 17.45
Ulrich Dieter Einbrodt (Justus Liebig Universitaet Giessen,
Institut fuer Musikwissenschaften, Germany):
The Internet Musician. From Trackers, Sequencers, Software-Synthesizers,Virtual Sessions and MP3 Files:
Changes in music production and distribution

Barnard Turner (National University of Singapore):
America’s Band [again]:
the mid-seventies Beach Boys and pop music as repositioning

Rossitsa Draganova (BAS, Bulgaria): 
MP3 or the changing patterns of music making and  music perception in the information age

Chair: Claire Levy
To Top

Saturday, 24 June 2000
09.00 - 10.45
Elisaveta Valchinova-Chendova (BAS, Bulgaria)
The Difficulty of not Being Yourself: stage and repertory transformations of the wedding orchestras
and the Balkan traditional instrumental practice

Lozanka Peycheva (BAS, Bulgaria): Seeds from Bulgaria in the Field of World Music

Vencislav Dimov (Radio Darik, Bulgaria): On the Musical Collage as an Approach in World Music

Chair: Rosemary Statelova
 
10.45 -11.00
   Coffee break
To Top
11.00 -12.45
Yosef Goldenberg (Hebrew University of Jerusalem, Rubin Academy of Music & Dance):
Recordings of Hebrew Folk Songs in Israel

David Lloyd (Department of Comparative Literature, Religion, and Film/Media Studies,
University of Alberta, Canada):
Mercury Models:
Distortion of Language and Identity in New Heavy Metal

Kirsten Kearney (University of Stirling, UK):
Playing Monopoly with the Academics

Chair: Rosemary Statelova
To Top
14.00 -15.45
Georgy Lozanov (Department of Journalism, Sofia University):
The Influence of Popular Music on Journalistic Discourse in Bulgarian Electronic Media

John Novak (School of Music, Northern Illinois University, USA):
The Depiction of Hope in Three Christian Popular Songs

Gencho Gaytandjiev (Bulgaria):
Kou-Kou Band: from trivial to original

Chair: Lubomir Kavaldjiev
 
15.45 - 16.00
  Coffee break
To Top
16.00 -17.30
Round Table: Understanding Popular Music Between the Two Centuries

Chair: Lubomir Kavaldjiev / Philip Tagg

Note: The time of 35 minutes for any presentation includes consecutive translation into Bulgarian or English, and short comments or questions as well.


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